Engaging with Contradiction by Engaging
with Community
By David Seitz, junior majoring in political
science and minoring in women’s, gender, and sexuality
studies at Macalester College
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David Seitz |
It’s the first seriously snowy day of winter
in the Twin Cities. (Believe it or not, it doesn’t
snow continuously in Minnesota.) Up bright and early
this Saturday morning, a gaggle of students hops into
a van and crosses the river, from St. Paul to Minneapolis.
We’re going to learn about the role of the arts
in social change.
The students are part of Macalester College’s
Lives of Commitment program, a joint project of the
Civic Engagement Center and the Center for Religious
and Spiritual Life. Lives of Commitment brings together
thirty first-year students for weekly volunteering in
partnership with immigrant and refugee tutoring organizations.
The program complements—and complicates—this
partnership with reflection groups, retreats, and day
trips like this one, all organized around questions
of vocation and ethics. Our destination this morning
is the Northland Poster Collective, a center created
for and by artist-activists. For nearly thirty years,
the Collective has produced joyful, intelligent artwork
to spread the community’s messages about social
justice.
At Northland, artist Ricardo Levins Morales shares
a favorite poster with us. The poster’s text begins
simply: “If you give me a fish, you have fed me
for a day.” Then the writing takes a curious turn.
“If you teach me to fish, you have fed me until
the river is contaminated or the shoreline seized for
development.” (As some say in Minnesota, oh
dear!) “But if you teach me to organize,
then whatever the challenge, I can join together with
my peers, and we will fashion our own solution.”
The students chuckle, and Ricardo pauses to turn up
the heat in the chilly storeroom. He explains why he
appreciates the piece. “It takes that twist to
show that the original conclusion—‘if you
teach me to fish, you feed me for a lifetime’—was
patronizing as hell,” he says. The room is silent
for a moment. Then students nod, several in strenuous
agreement.
This is precisely the kind of realization that the
Lives of Commitment program fosters: that civic engagement
projects should strive for mutual accountability and
transformation rather than for “top-down”
service from college to community. Macalester students
come from widely divergent backgrounds and often have
very different approaches to civic work. But whatever
our backgrounds, we students have a lot of privilege
to account for as we build community partnerships. Lives
of Commitment creates a space for us to wrestle with
the tensions between privilege and marginalization,
similarity and difference.
In the program, students find structured opportunities
to reflect on their own socioeconomic backgrounds and
closely connected identities such as race and nationality.
Integral to this process are the strong relationships
the program fosters among students and between students
and partner communities. As a privileged person, I’m
often more comfortable engaging economic injustice and
racism only in my “head space,” simultaneously
divorcing it from the life I lead. Because Lives of
Commitment connects students more deeply with community
partners—and with one another—our discussions
happen in “heart space” as well. We learn
to approach community partnerships with an eye toward
mutual exchange and with openness to reformulating our
own personal and political commitments.
Ricardo’s admonition about being “patronizing,”
and its implicit invitation to think honestly about
where I’m coming from, linger in my mind as I
continue my civic engagement work beyond the program.
My classmates and I know there isn’t one perfect
way to be or act. But thanks to our sustained engagement
with one another and with the community, we can keep
asking questions and taking risks. By engaging personally
with activists, community members, and other students,
I have come to understand that living a “life
of commitment” requires my commitment to the lives
and voices of others.
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